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2801 to 2820 of 3369 Records
  • Letter from de László to A. S. Webster, Exhibition Charpentier, Paris June 1931, 115-0012

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Webster, A. S.

    11/05/1931

    De László thanks A. S. Webster for agreeing to lend the picture, "The Horses of St Mark's" [11636] to his forthcoming Paris exhibition (Charpentier, 1931)

  • Letter from A. S. Webster to de László, Exhibition Charpentier, Paris June 1931, 115-0013

    Sender: Webster, A. S.

    Recipient: László, Philip Alexius de (1869 - 1937)

    05/05/1931

    A. S. Webster has arranged for the transportation of de László's picture, "The Horses of St Mark's" [11636]. The galleries are looking well with de László's portraits of Sir William High [5637], Mrs Stevenson [10031] and Mr & Mrs John Robertson [4149][6805] on view. Guthrie's 16 sketch portraits for "Statesmen of World War I" are also being exhibited and have been very popular

  • Telegram from A. S. Webster [assumed] to de László, Exhibition Charpentier, Paris June 1931, 115-0014

    Sender: Webster, A. S.

    Recipient: László, Philip Alexius de (1869 - 1937)

    05/05/1931

    Telegram confirming the despatch by passenger train of de László's picture, "The Horses of St Mark's" [11636]

  • Letter from de László to A. S. Webster, Exhibition Charpentier, Paris June 1931, 115-0015

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Webster, A. S.

    30/06/1931

    De László would like confirmation of the safe return of his picture, "The Horses of St Mark's" [11636], following its exhibition (Charpentier, 1931); he thanks Webster for agreeing to lend it

  • Letter from A. S. Webster to de László, Exhibition Charpentier, Paris June 1931, 115-0016

    Sender: Webster, A. S.

    Recipient: László, Philip Alexius de (1869 - 1937)

    04/07/1931

    A. S. Webster confirms the safe arrival of the “Horses of St. Marks’s” [11636] following its exhibition (Charpentier, 1931). De László's group of portraits [5637][4149][6805][10031] is the "most admired" in the gallery; Mrs Stevenson will soon be requesting her portrait's return. Saw a photograph of the artist and his portrait of Lloyd George [6076] in today's newspaper

  • Letter from de László to Juana González Escudero de Devoto, Exhibition Charpentier, Paris June 1931, 115-0017

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Devoto, Juana González Escudero de ( - 1941)

    16/05/1931

    De László requests the loan of Madame Devoto's portrait of her daughter, María Juana [4877], for his forthcoming exhibition (Charpentier, 1931)

  • Letter from Juana González Escudero de Devoto to de László, Exhibition Charpentier, Paris June 1931, 115-0018

    Sender: Devoto, Juana González Escudero de ( - 1941)

    Recipient: László, Philip Alexius de (1869 - 1937)

    22/06/1931

    Mme Devoto is surprised de László has asked for permission to exhibit her daughter's picture [4877], as she had already agreed to loan it for exhibition at the "Grand Salon"

  • Letter from de László to Lady Davson, Exhibition Charpentier, Paris June 1931, 115-0019

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Davson, Lady [née Margot Elinor Glyn] (1893 - 1966)

    07/05/1931

    De László thanks Lady Davson for agreeing to loan her portrait [4643] to his forthcoming exhibition (Charpentier, 1931); he details transportation arrangements

  • Letter from de László to Lady Davson, Exhibition Charpentier, Paris June 1931, 115-0020

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Davson, Lady [née Margot Elinor Glyn] (1893 - 1966)

    13/04/1931

    De László requests Lady Davson's portrait [4643] for his forthcoming exhibition (Charpentier, 1931)

  • Letter from Dorothy Butters on behalf of Lady Davson to de László, Exhibition Charpentier, Paris June 1931, 115-0021

    Recipient: László, Philip Alexius de (1869 - 1937)

    16/04/1931

    Lady Davson is presently away, returning the end of the month; de László's letter of 13 April [1931] will be put before her as soon as possible.

  • Letter from Lady Davson to de László, Exhibition Charpentier, Paris June 1931, 115-0022

    Sender: Davson, Lady [née Margot Elinor Glyn] (1893 - 1966)

    Recipient: László, Philip Alexius de (1869 - 1937)

    24/04/1931

    Margot, Lady Davson is pleased to lend her portrait [4643] to de László's forthcoming Paris exhibition (Charpentier, 1931).

  • Letter from de László to Admiral Sir Roger Keyes, Exhibition Charpentier, Paris June 1931, 115-0097

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Keyes, Admiral Sir Roger John Brownlow Keyes, 1st Baron (1872 - 1945)

    13/04/1931

    De László requests permission to include Admiral Sir Roger Keyes' portrait [5990] in his forthcoming exhibition (Charpentier, 1931).

  • Letter from Admiral Sir Roger Keyes to de László, Exhibition Charpentier, Paris June 1931, 115-0098

    Sender: Keyes, Admiral Sir Roger John Brownlow Keyes, 1st Baron (1872 - 1945)

    Recipient: László, Philip Alexius de (1869 - 1937)

    14/04/1931

    Admiral Sir Roger Keyes agrees to lend his portrait [5990] to de László's forthcoming exhibition (Charpentier, 1931).

  • Letter from de László to Admiral Sir Roger Keyes, Exhibition Charpentier, Paris June 1931, 115-0099

    Sender: László, Philip Alexius de (1869 - 1937)

    Recipient: Keyes, Admiral Sir Roger John Brownlow Keyes, 1st Baron (1872 - 1945)

    07/05/1931

    De László thanks Admiral Sir Roger Keyes for agreeing to lend his portrait [5990] to his forthcoming exhibition (Charpentier, 1931). Transportation arrangements.

  • Letter from Admiral Sir Roger Keyes to de László, Exhibition Charpentier, Paris June 1931, 115-0100

    Sender: Keyes, Admiral Sir Roger John Brownlow Keyes, 1st Baron (1872 - 1945)

    Recipient: László, Philip Alexius de (1869 - 1937)

    08/05/1931

    Transportation arrangements for Admiral Sir Roger Keyes' portrait [5990] to de László's forthcoming exhibition (Charpentier, 1931).

  • Letter from Admiral Sir Roger Keyes to de László, Exhibition Charpentier, Paris June 1931, 115-0102

    Sender: Keyes, Admiral Sir Roger John Brownlow Keyes, 1st Baron (1872 - 1945)

    Recipient: László, Philip Alexius de (1869 - 1937)

    05/07/1931

    Admiral Sir Roger Keyes confirms the safe return of his portrait [5990], expressing pride in its inclusion in the exhibition (Charpentier, 1931).

  • Letter from Alfred Lys Baldry to de László, Re-sleeved Material from Box S Private 1899-1916, Box Privat, 116-0066

    Sender: Baldry, Alfred Lys (1858 - 1939)

    Recipient: László, Philip Alexius de (1869 - 1937)

    05/02/1925

    Baldry suggests a country house near him for de László to consider, mentions the Imperial Arts League annual meeting, and inquires about progress on the Kellogg portrait [5915].

  • Letter from Alfred Lys Baldry to de László, Re-sleeved Material from Box S Private 1899-1916, Box Privat, 116-0068

    Sender: Baldry, Alfred Lys (1858 - 1939)

    Recipient: László, Philip Alexius de (1869 - 1937)

    04/09/1924

    Baldry writes to de László during his stay at Kissingen, commenting on his health, praising the portrait of the Saskatchewan governor [6440], noting Sydney Kendrick’s enthusiasm for copying a recent work, and expressing anticipation of seeing the portrait of Violet. He reflects on city versus country life and briefly mentions current exhibitions.

  • Letter from Alfred Lys Baldry to de László, Re-sleeved Material from Box S Private 1899-1916, Box Privat, 116-0069

    Sender: Baldry, Alfred Lys (1858 - 1939)

    Recipient: László, Philip Alexius de (1869 - 1937)

    27/04/1924

    Baldry sends birthday congratulations. He comments on recent Royal Academy elections—pleased about Russell Flint becoming an A.R.A., less so about McEvoy.

  • Letter from Alfred Lys Baldry to de László, Re-sleeved Material from Box S Private 1899-1916, Box Privat, 116-0070

    Sender: Baldry, Alfred Lys (1858 - 1939)

    Recipient: László, Philip Alexius de (1869 - 1937)

    25/09/1924

    Baldry writes to de László after his return from Kissingen, pleased at his restored health and work in Paris, commenting on the lack of major exhibitions, recommending Orchardson’s Voltaire at Sampson’s Gallery, reporting on his own recent tempera painting, and praising the portrait of Violet as highly successful.

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